Thursday, June 14, 2012

Fickle Capacity (or how my lungs are doing today)

My planner is a laughing abyss. My planner is old school, nothing but hardbound paper and my schedule is tracked in pen. And I carry this thing with me, along with journals and books and the script I have to memorize.


Today I stared at the days in my planner, and thought, TWO WEEKS. TWO WEEKS and I leave for three months cause I got a gig and my apartment will be a ghost town again, minus the tumble weeds and oddly hot and scruffy stranger who randomly strolls by with a deep seeded, personal sense of revenge that makes you think, “I shouldn’t but I would totally tap that.”


I reckon so
 This is the fourth time I am leaving my apartment for a theater gig. I am lucky, I am happy but TWO WEEKS. I got things to do, places to see, things to clean, money to spend, money to save, and meetings meetings meetings before I get in my car and head to the Lincoln Tunnel with a final destination of San Francisco, land of non-humid summers and indulgent Journey car singing.

TWO WEEKS means too much to do in so little time and it is weighs on my chest. I stopped breathing today, just stopped breathing, I was staring at the days in my planner and the air stopped moving. This happens at least once every month. I look at my schedule and hear phrases like “existence is futile,” “holy hell,” “get to da choppa!”


Florence and I have something in common
 And forgetting not to breathe is not like that one time you had that contest in the deep end of the pool to determine whose ten year old lung capacity rocked the hardest.

No, no, no, no. I can hold my breath (thank you voice classes) till the cows come home.


No, no, no, no.

 My shallow breaths, my nonexistent breathes, that pressured feeling is like…

1.  A dog pile where your lungs stack up cause they want to have a serious conversation with your heart but your heart doesn’t want to hear it. And you’re pissed that after all these years, your body is still in a complicated relationship.

2.  Trying to meditate while running and your body is thrown into an existential crisis of “Am I at peace or am I moving or am I both or what is peace and what is both and who is me?”

3.  Drinking a liter of Pepsi then getting on a roller coaster and right before you go down a 90 story drop, you somehow learn (maybe it gets written in the sky?) that your first love is getting married.

4.  A rock hard soccer ball slams into your chest, you fall and to celebrate the moment, the entire opposing team jumps on you and then no one says anything. They stay there and there is extended awkward silence. Maybe a cricket chirps ten minutes in.

5.  It’s pitch black in your room, it’s around 3am and you hear a clear sharp clicking sound on the wall and you look up to see a giant black roach with a shell that’s stronger than a Buick, and before your primitive self forces you to scream or slam the nearest shoe against the wall, you stare in horror. And you stay in that paralyzed state of stare and all you can think is, “I hate evolution.”


Where's da choppa?


Wednesday, June 13, 2012

Today in "Shuffle is Making Me Crazy"

"Shuffle is Making Me Crazy" follows my iPod/music addicted self and my jarring real life mash-ups while using the shuffle mode.



Today's adventure:


Standing by the subway doors 

Watching the sunset over Long Island City with The Man in Black.




Sunday, June 10, 2012

Epic Road Trip: Part II

In August 2008...

This should play in your head in the stylings of an epic Hollywood blockbuster trailer.  So...

Take two!

In August 2008, Angela drove through too many states to name.  She ate too much trail mix, beef jerky, and frappacinos.  She saw the billboards of Indiana (cut to Angela looking in horror), she bought shirts in Nebraska, she flipped off Mile High Stadium (cut to Angela's dad staring at his computer screen.  He says, "Damn that's a good picture."), she visited the ghosts of Gettysburg, and arrived safely to New York York City (cut to Angela honking at some asshole).

Now get ready for Epic Road trip: Part II.  New co-pilot (cut to vague shot of a blonde guy, should add suspense), more state lines, more cowboys (cut to Angela wearing something flannel), national parks, and the return of Angela's tanned driver's arm (cut to Angela's mom screaming, "Now tan your legs!).

July 2012.

Are you ready to drive?

Turn left fool! (Voiceover of Angela's Mr. T GPS.)




Friday, June 8, 2012

Gut drop: about that time I taught with war vets


Teaching the art of the monologue, working with vets, making my public television debut..all in a day's work

Ah, a nice serious Friday afternoon post. Let’s do this.


I check two websites with freakish intensity: Yahoo News and the Weather Channel. (My grand love for weather systems, photos, and charts will be another posting for another time.)

This morning’s news headline was this.

I closed the screen without reading it. A horrible reaction, I feel like my clothes should shout “traitor.”


My thoughts of war used to be ridiculously simplistic. To me, war was a horrible hell wrapped up in conservative wrapping paper and we should all stop being animals and give peace a goddamn chance. War was about politics and never about faces.

And then I worked with veterans last spring. I was teaching at Northern Stages in Vermont, a curriculum full of war stories and monologue writing, and during the second week of lessons veterans visited my 13 high school classes. There was the National Guardsman, fresh from his deployment in Afghanistan, nervous as he met me in the general office. There was the white haired Marine and rough Army Sergeant telling me they usually don’t talk to teenagers as they smoked cigarettes in their muddy Jeep. And there was the kind Vietnam vet with his briefcase full of war mementos, waiting for me to pick him up at the VA parking lot.

All of them were nervous: they were stepping back into high school to publicly speak about their war experiences. (Triple whammy.) When they asked for any advice, I told them, “None of my students think war has anything to do with them.” All the guys looked shocked, gave either a devious smile or serious glance, and walked straight into class.

I ate lunch with these guys. I drove across the state with these guys. I sat in class and talked with these guys. And we talked about war. Everything from training, John Wayne, patriotism, guns, gear, ambushes, shrapnel, humidity, mountains, bases, dogs, ice cream, IEDs, mortars, death, blood, explosions, PTSD, prostitutes, drugs, love, long hair, Kent State, Obama, Bush, adrenaline, divorce, alcoholism, guilt, and survival.

There I was, Ms. Liberal Theater Artist from Los Angeles who never heard anyone tell a war story, and I spent a week with people full of war. And I don’t mean that in a trigger happy kind of way but with humbled sincerity. As a civilian, I didn’t understand the explicit ways war stays with a person. That it camps out in the bones and never stops firing.

These guys hated war, across the board they felt all politicians were idiots, that their conflicts were pointless, that the cost was too much. And despite battles with the bottle, being deemed “unemployable,” and injuries that made trees enemies and legs throb in the snow, they all said that if given the chance they would do it over again because they have skills that can save lives.

That fact still makes my gut drop. What do you say to a veteran after that? All I could do was shake their hand as they left classes, buildings, and my car. I watched them drive off and I would go back to my apartment and try to write.

And I couldn’t write. Not a damn thing. And I took that job at Northern Stages because I knew I would be dealing with subjects of war, I would work with veterans, and I wanted to write a war play. What a goldmine of research!

But one year later, I still don’t have a war play because I refuse to write it. These veterans felt very few books and movies describe their experience with any accuracy. (Just mention The Hurt Locker to an Iraq/Afghanistan vet and tell me how that goes.) There is something profane about taking their stories, recording them, and making them my theatrical experience. It feels like a crime for me to write a war play but I feel a duty to hear the stories of veterans. (Surely you can have a philosophical field day about what a writer has the right to write about. But instead, try saying that previous sentence ten times fast, it’s a dousey.)

Since leaving Vermont, I’ve dreamt of starting a theater program for veterans. I want to give them the stage so they can tell their own stories, make their own plays. I want them to inform the public, I want us to experience these stories as communities, but more importantly I want the experience to help veterans live better, healthier lives. I want them to beat their personal wars, not fall before them. But there isn’t enough time right now. Not enough time to do the research, to reach out to nonprofits, to organize other artists. With shows and jobs and opportunities flying every which way, this remains a giant star on my to-do list.

And then I see an article like this one and I see the faces of war I know, my Vermont vets.  They are eating pancakes with me at diners, giving me funny glances at something a student said, crying as they stare down tenth graders, and I am ashamed I have not done enough. And my gut won’t get back up.

Check out this site to learn how to find ways to help vets in your area.



Wednesday, June 6, 2012

Today in "Shuffle is Making Me Crazy"


"Shuffle is Making Me Crazy" follows my iPod/music addicted self and my jarring real life mash-ups while using the shuffle mode.

Today's adventure:

Updating an Exel Spreadsheet at Work

Try to stay focused while inputting numbers while listening to this.  Oh, I challenge you friend. 

I challenge you!  

***gauntlet is thrown***


A new play is brewing

I tried explaining to my grandmother this past Mother's Day the storyline for my play Spark.  Her first reaction was, "Sex?  How many other grandmother's can you talk about sex with.  Tell me more."  Her second reaction was, "That story was all in your brain?  How did you do that?"

I could say the usual defenses: "I got an idea,"  "I had an obsession," "What can I say, I'm amazing," or "The voices just won't stop talking."

But really it is a combination of things, usually a mix of big questions, news, music, and images.


So here is a look at what is cooking in Playwriting Land.  These things are combining powers in a Captain Planet kind of way to inspire my new work still in baby stages of development.


1.  The big question:  After two years of living in NYC, what has all the hustle, bustle, excitement, and sacrifice made of me?

2.  To go along with that question, this image

3.  The sudden and shocking realization that I am old enough now to really really really understand what Don Quixote is about.



4. "You can envision these state changes as a fast period of adjustment where we get pushed through the eye of the needle" and other scary quotes from this article where scientists warn Earth is headed for...well read it.  I don't want to bum you out.

5.  The street signs visible from the coffee shop I write in, inconveniently located under the 7 train.

6.  And this song:





I would like to point out that my friend, after seeing the before mentioned Spark, challenged me to write a farce this time around. Only time will tell...but this could be a farce...maybe??   If not, I extend my apologies ahead of time.

Inspiration to slap you across the face

Sometimes the gray cubicle walls get to you.  Sometimes the first, second, third writing rejection of the week get so you.  Sometimes the fact that your flats are killing your toes and you can't afford new ones depresses you.  And you wake up from your nap and gasp because you suddenly realize you are almost 30 and after the show you're in closes in November, you have no idea what you'll be doing.

And then you stumble across Zen Pencils, amazing cartoons depicting quotes from a variety of folks, and you are reminded why you've committed to such a crazy ride.  And your gray cubicle walls burst.  

Some favorite cartoons include: